Editing Phase Q/Crackdown

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Smitty gets in the car. “Let’s go,” he says.
 
Smitty gets in the car. “Let’s go,” he says.
  
You get in the back, and after a second Natalya gets in and turns the key. The three of you drive off, after the sole road the Triad agents took.
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You get in the back, and after a second Natalya gets in and turns the key. The three of you drive off, after the sole road the Trad agents took.
  
 
“What the light happened back there?” you ask again.
 
“What the light happened back there?” you ask again.
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“I’ve got an idea,” you say.
 
“I’ve got an idea,” you say.
  
Pulling out a sheet of paper, you start to make some figures. Like an old-time general sketching out plans, you mark a set of x’s and o’s. Tracing out lines, calculating, testing. You model the flows of Triad forces, from their barracks in the cities. You pencil in the militant supporters out in the hillsides.
+
Pulling out a sheet of paper, you start to make some figures. Like an old-time general sketching out plans, you mark a set of x’s and o’s. Tracing out lines, calculating, testing. You model the flows of Trad forces, from their barracks in the cities. You pencil in the militant supporters out in the hillsides.
  
 
“Aha,” you say.
 
“Aha,” you say.

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